FNC 2018 Review: Fans celebrate the Tour de France in Holy Tour

Tour de France fans enjoy themselves while wait for cyclists to appear in the documentary film Holy Tour (La Grande Messe).

The documentary film Holy Tour (La Grande Messe) is a gentle and amusing visit with some Tour de France fans who are waiting for the cyclists in the 2017 edition of the race to flash by. They set up a roadside camp almost two weeks before at Col d’Izoard (Izoard Pass) in the French Alps, where the scenery is the scenery is stunning.

Most of the fans are long-married couples who have been following the tour for years, some for decades. They seem old enough to be retired, but then again, France has very generous vacations, so who knows? These fans are comfortably ensconced in recreational vehicles, not roughing it in tents, as the last-minute arrivals will do. (“They look like us, back in the day,” a man tells his wife with a smile. That’s an approximate quote, from my memory.)

The fans are a relaxed, friendly, funny bunch and they pass the days before the Tour arrives with walks, sunbathing, playing cards, reading, chatting, cuddling small dogs, and eating. One man cycles uphill to a scenic restaurant to have a birthday meal. We laugh with them, not at them, as they wonder if it is too early for an aperitif, and struggle to pick up a TV signal, so they can follow the race as it heads their way.

Certainly, there are worse ways a person could spend a vacation. When Holy Tour is over, you might feel light-hearted and relaxed, as if you, too, had just enjoyed some fresh air and camaraderie.

Holy Tour (La Grande Messe)
Year: 2018
From: Belgium/France
Directed by: Méryl Fortunat-Rossi and Valéry Rosier
Length: 70 minutes
Languages: In French with English subtitles

You can see it: Saturday October 13, 2018 at 13:15
Program #260
Cineplex Odeon Quartier Salle 17
350 rue Emery, Montréal, QC, H2X 1J1

Holy Tour (La Grande Messe) is part of the Festival du nouveau cinéma, which continues until Sunday, Oct.14, 2018.

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FNC 2018: Bravo! Festival du nouveau cinéma will show Alfonso Cuaron’s new film Roma!

A still from Alfonso Cuaron’s new film Roma.

The Festival du nouveau cinéma has nabbed Alfonso Cuaron’s new film Roma. Roma won the Golden Lion at the Venice Film Festival and was also shown to great acclaim at the Telluride Film Festival and Toronto International Film Festival.

According to an email from FNC “the film follows Cleo (Yalitza Aparicio), a young domestic worker for a family in the middle-class neighborhood of Roma in Mexico City. Delivering an artful love letter to the women who raised him, Cuarón draws on his own childhood to create a vivid and emotional portrait of domestic strife and social hierarchy amidst political turmoil of the 1970s.”

Roma will be shown on Sunday, Oct. 14, 2018, at 6 p.m. at the Imperial Cinema, 1430 Bleury, Montréal, QC H3A 2J1

Roma will be available in theatres and on Netflix in December. But why not see it this month? And of course, a theatre would be the best place to see it.

FNC 2018 Suggestion: See hilarious Iranian comedy Pig (Khook) tonight, Tuesday Oct. 9, 2018

Hasan Majuni plays film director Hasan Kasmai in the Iranian comedy Pig (Khook).

Black comedy, dark comedy, parody, spoof, all those words are suitable to describe the Iranian film Pig (Khook).

I don’t know how a script that includes murders, adultery and dancing was approved by Iranian censors, but it was, and I enjoyed it a lot. Check it out for laugh and surprises!
Acclaimed actress Leila Hatami gets to show her lighter side. You can read my review here.

Leila Hatami plays actress Shiva Mohajer in the Iranian comedy Pig (Khook.) In this scene, her costume makes me think of a pinata.

Pig (Khook)
Directed and written by Mani Haghighi
Cast: Hasan Majuni; Leila Hatami; Leili Rashidi; Parinaz Izadyar; Mina Jafarzadeh; Aynaz Azarhoosh; Ali Bagheri; Siamak Ansari; Ali Mosaffa
Language: Farsi with English subtitles
Length: 107 minutes

You can see Pig on Tuesday, Oct 9, 2018, at 9:30 p.m. at Cinémathèque Québécoise (355 de Maisonneuve E.) as part of the Festival du nouveau cinéma.

FNC 2018: Review of Iranian comedy Pig (Khook)

In the Iranian film Pig (Khook) a blacklisted director cannot make films, but he CAN make really weird commercials for insecticide.

Pig (Khook) is so funny that it might be a big surprise for people who expect Iranian films to be serious, sad, or downright tragic. Added bonus: Leila Hatami, who has been in many sad and serious films gets to have some fun in it, too!

Pig is written and directed by Mani Haghighi. It’s about blacklisted filmmaker Hasan Kasmai (Hassan Majuni), who has not been allowed to make films for the past two years. Luckily for him, his family and for us, he IS allowed to make TV commercials.

His hilarious ad for bug-killer spray features dancing women in red who look much nicer than your average insect pests. (Oh, wait! They are not dancing, they are “moving in unison.” Dancing is not allowed, in real life or in commercials. Censorship, you know!)

Later, Hasan and his tennis-partner friend Homayoun (Siamak Ansari) borrow the insect costumes, antennae and all, to wear to a decadent costume party. (Somehow they remind me of Spanish dandies from the Middle Ages in those costumes…apart from the antennae, of course.)

(When he’s not attending costume parties or funerals, Hasan usually wears T-shirts promoting Western rock bands like AC/DC, Black Sabbath, Kiss, etc. At least one reviewer took that as a sign that Hasan is still a child at heart. Maybe he is, but maybe he also likes those bands and those clothes. Theoretically, they could even be a political statement.)

Hasan Majuni, left, plays director Hasan Kasmai, while Ali Mosaffa plays his hated rival, Sohrab Saidi, in the Iranian comedy Pig (Khook).

Hasan was already upset that he could not make films, but now he has new worries. His muse and mistress Shiva Mohajer (Leila Hatami), who became a star through his films, is considering a part in a film by one of his rivals, the highly pretentious and unlikable Sohrab Saidi (Ali Mosaffa).

Leila Hatami plays Shiva Mohajer, muse to director Hasan Kasmai. Hasan is jealous when she considers a role with rival director Sohrab Saidi.

In a more serious vein, a serial killer is targeting Iranian filmmakers, and leaving their severed heads in public places in Tehran, with the word “pig” carved into their foreheads. Hasan is terrified that he might be the next victim, but he’s also hurt and offended because the killer must think that he’s not important enough to murder. (Pig’s director Mani Haghighi includes himself as one of the murder victims. Hasan has to identify him.)

Things get more complicated when a video of Hasan throwing a public tantrum “goes viral.” Threats uttered in the heat of the moment against two of the murder victims make him suspect No. 1 and he’s arrested by Azemat (Ali Bagheri) the sinister, high-level, pony-tailed policeman who’s been following him around.

I enjoyed Pig immensely, though I thought a few script decisions went too far. Within the first few minutes I was wondering “Censorship? What censorship?” Amazingly enough the script was approved by the Iranian authorities, despite the dancing, the mistress and many other things.

Pig (Khook)
Directed and written by Mani Haghighi
Cast: Hasan Majuni; Leila Hatami; Leili Rashidi; Parinaz Izadyar; Mina Jafarzadeh; Aynaz Azarhoosh; Ali Bagheri; Siamak Ansari; Ali Mosaffa
Language: Farsi with English subtitles
Length: 107 minutes

You can see Pig on Tuesday, Oct 9, 2018, at 9:30 p.m. at Cinémathèque Québécoise (355 de Maisonneuve E.) as part of the Festival du nouveau cinéma.

 

Montreal World Film Festival will show Chinese hit Dying to Survive

The Chinese film Dying to Survive (Wo Bushi Yao Shen) has been compared to the U.S. film Dallas Buyers Club, though the Chinese patients need drugs to treat cancer, not AIDS.

The comedy-drama is loosely based on the real-life experiences of leukemia patient Lu Yong. Gleevec, the Swiss-made drug that he needed was incredibly expensive so he illegally imported a generic version from India. He was eventually arrested for selling the drug to other leukemia patients, but they rallied to his support and he was eventually released.

Lu Yong is played by popular star Xu Zheng (Lost in Thailand, No Man’s Land, Breakup Buddies, Lost in Hong Kong).

Dying to Survive is directed by Muye Wen. It’s in Mandarin with English subtitles and 116 minutes long.

It will be shown at the Imperial Cinema, 1430 Bleury (H3A 2J1) at 16:30 on Saturday, Sept 1, 2018 and at 19:00 on Sunday, Sept 2.

For more info about the Montreal World Film Festival/Festival des fins du monde, visit ffm-montreal.org

Fantasia 2018: In Big Brother, Donnie Yen plays the teacher we wish we had in high school

Donnie Yen plays teacher Henry Chen Xia in the film Big Brother.

Dedicated teacher tries to get rebellious high-school students to smarten up and take school seriously. This is a familiar plot, but the teacher in Big Brother is played by martial-arts superstar Donnie Yen, so that’s a big plus.

Even though Yen’s character, first-time teacher Henry Chen Xia, is smart, funny and caring, we know he won’t be accepted right away, he has to win the students over. Watching him do it is part of the fun.

Each student has at least one problem on the home front that has contributed to their seeming indifference to school; Chen tries his best to solve all those problems.

The future of the entire school is in Chen’s hands, since the Hong Kong education department will close it if the dismal pass rate doesn’t improve. On top of that, gangsters are waiting to pounce on the school site so they can build luxury condos on it.

But, but. . .what about the fights? It wouldn’t be a Donnie Yen film without them, but by Yen’s own choice, Big Brother is more about education than anything. It isn’t wall-to-wall fighting that’s barely held together with a paper-thin plot.

Donnie Yen as Henry Chen Xia, ready to defend his school.

 

Chen’s search for a missing student leads him to a locker room just before a (crooked) mixed-martial arts tournament. This gives Yen a chance to mix it up with burly, scary looking guys played by Kang Yu, Lockhart Ogilvie, Jess Liaudin, Brahim Achabbakhe, Tom Caserto, and Semiquaver Iafeta. “Look, guys, I’m not looking for any trouble,” he tells them in English. Ha, ha! Fans know what to expect next!

Conveniently enough, Kang Yu’s character is also involved in the development scheme, so he and assorted minions will battle Chen again in the schoolyard and inside the school, shattering glass, throwing desks and breaking many things while they’re at it.

A long-ago fight, with Lin Quinan playing the young Henry Chen, is quite impressive, too. This young man has star potential! In fact, he was in a 2016 film called Long quan xiao zi (Kungfu Boys).

in Donnie Yen’s film Big Brother, Lin Quinan (left) plays Henry Chen Xia in his student days. Kang Yu (right) plays the main villain. 

From my description, the film might seem terribly corny but it did not feel that way while I was watching it. There are some “I see what you did there!” moments, and I was fine with them, too.

I appreciated that Yen’s character is not just a fighting machine, he’s a caring human being. Teacher Chen has had his share of problems, and seen many horrific things, but he survived to tell the tale. He doesn’t want his students to give up on themselves while they’re still in their teens. And if life is unfair, why not fight to make it better? Just as important, he doesn’t want the education authorities to give up on the “difficult” students, either. Does closing an underperforming school really solve anything? Why not work to improve them?

Donnie Yen put his money and his star power behind this film, which is obviously dear to his heart. If Big Brother encourages some students to stay in school and leads school administrators to rethink their methods, Yen will have accomplished a lot. And more power to him!

I’ll include other details about Big Brother in a post about Kam Ka-Wai, the film’s director. Kam participated in a Q&A session after the film and granted me an interview as well.

BTW: I saw the World Premiere of Big Brother with lots of Donnie Yen fans at a sold-out screening at the Fantasia International Film Festival in Montreal – the very best of circumstances! Donnie Yen even sent us a video greeting! He wanted to present the film in Montreal himself but logistics didn’t allow it. (He’s shooting a film in Japan and cannot be away from the set for long.)

Big Brother will open In Hong Kong, Malaysia and Singapore on August 16, 2018, and in China and Taiwan on August 24. No word about a North American or European release yet, so maybe Donnie Yen fans should get going on social media and ask for it.

BIG BROTHER
Hong Kong, China (2018)
101 minutes, In Cantonese with English and Chinese Subtitles
Director: Kam Ka-Wai
Writer: Chan Tai Lee
Cast: Donnie Yen, Joe Chen, Yu Kang, Lou Mingji
Contact: Mega Vision

Fantasia 2018: The People’s Republic of Desire Review

 

Livestreaming celebrity Shen Man in a scene from the documentary film The People’s Republic of Desire.

Yes, Fantasia shows documentaries, too!

The People’s Republic of Desire is a fascinating (and sad, disturbing and depressing) introduction to China’s livestreaming celebrities. Some people from very humble beginnings have become rich and famous because they are very good at cajoling, begging, browbeating their fans into sending them gifts and money, lots of money.

(I’ll confess, while watching the first few minutes of the film I wondered if “success” could really be this easy? During the Q&A, I found out that I was not the only one. Of course, we later find out that fame can be fickle.)

Some of those fans are filthy rich, and they support their favourite star because they have so much money that they can afford to throw it away. Being a generous patron brings them fame, too. In the case of female celebrities, many of the (male) patrons want to sleep with them. The celebrities walk a tightrope, flirting and teasing without satisfying these guys. (If they succumb, the gifts will stop, the guys will blab, and millions of people will accuse them of being sluttish.)

Other fans are quite poor themselves, but they feel a sense of solidarity with the stars, who were once as poor as they are. Following the stars, and helping to support them, brings some pleasure to their otherwise boring and difficult lives. Collectively, the fans call themselves an “army.”

The People’s Republic of Desire concentrates on “comedian” Big Li, “singer” Shen Man, their families and their fans. I use quotes above because we don’t hear many of Li’s jokes or Shen’s songs. Her voice sounds OK, but director Hao Wu shows us what I think is a vocoder – is that the audio equivalent of plastic surgery? Shen admits that she has had plenty of surgery, too.

On the other hand, Big Li is fat and not handsome, either, but that didn’t prevent him from becoming popular. His wife is his manager which puts a strain on their marriage. He sometimes rebels against her like a kid who doesn’t want to get up or eat his vegetables. He is also under pressure to join a big management company. Yes, there is lots of competition to manage the celebrities and take a cut of their earnings.

Shen Man has pressures of her own – she is the sole support of her father, stepmother and younger siblings. And who bought that furniture, anyway? It’s really quétaine, as we say here in Quebec.

In the Q&A director Hao Wu explains that he had intended to follow the stars for just one year, but that turned into three. An annual competition for most popular celebrity provides a natural focus. Shen Man has won it, ands wants to stay on top. Big Li has lost several times and wonders if he should keep fighting or just give it all up. The awards show for the competition looks just as glitzy as Hollywood’s Oscars and Golden Globes. Maybe it has a large audience, too.

The graphics in The People’s Republic of Desire are superlative, immersive and very busy!

The film has won many awards already and will probably continue to do so. See it if you can! Hao Wu will be at the Fantasia screening to answer questions.

DIRECTOR: Hao Wu
WRITER: Hao Wu
CAST: Jiang Congyong, Man Shen, Li Xianliang
PRODUCER: Hao Wu
CINEMATOGRAPHER: Hao Wu
SOUND DESIGNER: Ron Bochar
COMPOSER: Michael Tuller
EDITOR: Hao Wu
ANIMATOR: Eric Jordan
CONTACT: Tripod Media LLC
OFFICIAL WEBSITE: https://www.desire.film
HONORS: Grand Jury Award (Documentary), SXSW 2018, Grand Jury Award (International Documentary), Los Angeles Asian Pacific Film Festival 2018, 21 CF Award, Best Cinematography, CAAMFest 2018

The People’s Republic of Desire, Friday, July 20, 2018, 1:00 PM, Salle J.A. De Sève, 1400 de Maisonneuve W.
Metro Guy-Concordia

P.S. When I read the synopsis of The People’s Republic of Desire I thought that it might be a bit like the film Dragonfly Eyes, shown here in Montreal at the 2017 edition of the RIDM documentary festival. It isn’t really, though the main character does become an Internet celebrity near the end. Dragonfly Eyes has mixed reviews on Rotten Tomatoes, but I thought it was worth watching.