Syrian refugee Fatma plays with her pet rooster in the documentary film Zaatari Djinn. The film is being shown at the documentary film festival RIDM in Montreal.
The documentary film Zaatari Djinn shows us what life is like for two girls and two boys in Jordan’s sprawling Zaatari camp, which is home for 80,000 to 100,000 Syrian refugees.
In the camp, Fatma, Maryam, Ferras and Hammoudi are at the mercy of their parents, circumstances, and the weather. The place is sometimes sunny, sometimes cloudy, often windy and dusty. The future is uncertain. But despite the many hardships, Zaatari Djinn is frequently lyrical and captivating. So far, it is one of my two favourite films on the RIDM schedule.
More than once, we hear a mother telling her children a story, beginning with the familiar: “Once upon a time…”
One tale involves a wicked stepmother – it sounds much like Hansel and Gretel, except that the evil woman plans to abandon the children in the searing desert, not in the deep, dark forest. One boy who has a real-life stepmother declares that she is evil. (After reading the press notes, I realized something I had not grasped while watching the film. The father married again after his wife died, then took yet another wife after moving to the camp. The two women don’t get along.)
Thanks to a drama class, Maryam has discovered the joys of acting, but her father does not approve, he says it is against their culture. Interestingly, the play she was rehearsing is Shakespeare’s King Lear, which has its share of father-daughter discord. The film show her happily playing soccer with other girsl, but the press notes say her father made her stop that, too.
Like girls in many countries, 13-year old Fatma argues with her mother about how old a girl must be before she can wear makeup and how much is too much. Like Maryam, Fatma clashes with her father. Unlike any girls I know, Fatma has a rooster for a pet and confidant. (When the rooster can’t be found, someone says many animals have been poisoned and maybe he was, too. Another indication the place is not warm and fuzzy. Who poisons animals?)
Ferras walks the streets of the camp, selling the sweets that his father makes. It’s the stuff often called Turkish Delight in the West; they call it raha in Syria. Making it requires lots of stirring with a big wooden stick. Ferras also buys the supplies, mostly sugar and cornstarch, which aren’t always available in sufficient quantities. Ferras doesn’t seem to have much choice about doing this work. While reading about the camp, I found an article online about Ferras and his father. The family had a candy factory in Dara’a, Syria, before the war. Most of the people in the camp are from Dara’a, though Fatma is from Damascus.
Syrian refugee Hammoudi chooses a bicycle in the documentary film Zaatari Djinn. The film is being shown at the documentary film festival RIDM in Montreal.
Hammoudi is happy when his mother offers to buy him a bicycle, and lets him choose it. He clearly knows so much about them I was surprised that the bicycle seller didn’t offer him a job. When Hammoudi accompanies his mother to the camp hospital, we see a place with modern equipment and doctors who are gentle and friendly with the children. There are many aid-group logos on the walls, and US and EU flag decals.
Hammoudi learns that he has a little brother on the way; the doctors ask him if he goes to school and if he is doing well there. (The answer to both questions is yes. Though school is mentioned several times we don’t see the inside any classrooms. Maybe the filmmakers could not get permission, maybe they did not have time for that.)
After his little brother is born, Hammoudi’s vows to protect him are so fierce they’re almost frightening. A paraphrase from memory: “I’ll kill anyone who so much as harms one hair on your head.”
Similarly, I felt distressed and uneasy watching some boys playing what might have been their version of “war“- they pointed toy guns at a playmate, and grabbed him shouting “Lock him up!” I don’t know, seeing children displaced by war playing with (toy) guns, doesn’t seem to bode well for the future.
Zaatari DjinnDirector: Catherine van Campen
Cinematographer: Jean Counet & Jefrim Rothuizen
Sound: Mark Wessner
Editor: Albert Markus
Sounddesign: Marc Lizier
Music: Alex Simu
Producers: Iris Lammertsma & Boudewijn Koole | Witfilm
Distributor: Cinema Delicatessen i.c.w. Herrie Film & TV
Contact: Nazima Mintjes (Production)
With: Hammoudi Al-Mansour
Duration: 90 minutes, in Arabic with English subtitles.
Zaatari Djinn will be shown on Sunday, Nov. 12, 2017 at 5 p.m. in Salle 10 of Cineplex Odeon Quartier Latin, 350 rue Émery.
RIDM (Rencontres internationales du documentaire de Montréal) runs until Sunday, Nov. 19, 2017.
Visit the RIDM web site at RIDM.ca for more information.