No need to be a Tove Jansson fan, or to know anything about her to enjoy Escape From Moomin Valley, it’s such a visual pleasure.
Tove Jansson (1914-2001) a member of Finland’s Swedish minority, achieved fame and presumably, fortune, through Moomins, creatures of her own invention who look vaguely like upright hippos. Moomins appeared in children’s books and a long-running comic strip; they are available as figurines, plush toys and printed on assorted bags, mugs, aprons, pencil cases, notebooks, etc. (Local publisher Drawn & Quarterly printed a large volume of her work in 2006.)
Jansson wrote short stories for adults and plays, as well, but she always considered herself a painter first and foremost. That’s what she wrote on her tax return, according to Escape From Moomin Valley.
Jansson came from an arty family; her father was a sculptor, her mother a graphic artist. She was expected to be an artist and a good one, too.
The film uses lots of photos, sketches, paintings and extracts read from Jansson’s letters and diaries to fill us in on her family life (she often argued with her father) her friends, her art classes and her travels. She studied in Stockholm and Paris, and visited Dresden, Brittany and Florence. Probably many other places, too. She was a forceful character and her art is wonderful to look at. Her studio is quite impressive, too. You might be jealous!
Jansson speaks briefly in the film and there are many remarks from her brothers, niece, and childhood friends.
Escape From Moominvalley is being shown as part of a double bill with the 55-minute film J.R.R. Tolkien: des mots, des mondes. A review of that is coming up! There’s a connection, too – while I don’t remember it in Escape From Moominvalley, Jansson illustrated a Swedish edition of The Hobbit.
Sunday, March 29, 2015, 1:30 pm, J.A. de Sève Theatre, McConnell Library Building, Concordia University, 1400 de Maisonneuve Blvd. W.
Escape From Moominvalley
Finland, Denmark, Sweden / 2014 / Color / 58 Min / Finnish S.T. English
Escape From Moominvalley
Realisation: Charlotte Airas
Script: Charlotte Airas, Kimmo Kohtamäki
Cinematography: Timo Peltonen
Sound: Pietari Koskinen
Editing: Kimmo Kohtamäki
Music: Pessi Levanto
Narration: Ylva Ekblad
Participation(s): Sophia Jansson, Per Olof Jansson, Boel Westin, Erik Kruskopf, Boris Konickoff, Tuula Karjalainen
Producer(s): Kaarle Aho
Production: Making Movies
Distribution: Making Movies
The Festival International du Film sur l’Art, known as FIFA, runs until Sunday, March 29, 2015. Visit the web site www.artfifa.com for more information
Countries are often called Motherland or Fatherland. How sad is it when a country can’t love and accept all of her children equally? How sad is it when flesh-and-blood parents turn their backs on their own children and say things like: “You are not normal, you are sick, why did I ever give birth to you?” Or worse yet: “You are a son of Satan!”
The documentary film Children 404 presents compelling evidence that homophobia is rampant in Russia, and that a law passed in 2013 has encouraged anti-gay vigilantes while also keeping many already wary and isolated teens in the closet.
This law bans propaganda about “non-traditional sexual relationships,” aimed at minors. In effect, that means that it’s illegal to offer support to gay teens – to tell them that they are normal, that they are not freaks of nature, and that they are “not the only one” – that there are many other people around the world just like them.
The film is named for the web site Children 404 (Deti-404 in Russian) which serves as an online meeting place for teens who might not have anywhere else to go. It was created by journalist Elena Kilmova; after she wrote an article about LGBT (lesbian, gay, bisexual or transgender) youth, she received email from a teen who had been suicidal until she read the article.
The name is inspired by “Error 404, page not found” a message that often comes up on the Internet. Klimova chose it because Russian society is seemingly telling gay teens that they don’t even exist. It gives then a chance to say “We are here!”
More than 22,000 joined the group; 1,364 shared their stories.The film features excerpts from the messages posted on the site. Many are heart-rending, filled with sadness and despair. One mocks the idea that anyone would possibly “choose” to be gay. “Hey kids, be gays! Everyone hates us, humiliates us, beats us up – this is so cool!”
Few teens dare to tell their parents about their orientation, for fear of being thrown out of the house. The father who accepts his daughter and is proud that she is different is a rare exception.
A Guardian article about Error 404 quotes a “16-year-old from a small town ‘which isn’t even on the map’.” He says “Our school is considered progressive, but it is quite normal for teachers to say that homosexuals will burn in hell.”
Another Guardian article from 2013 says that “an MP in the Siberian region of Zabaikalsk called for a law allowing gays to be publicly flogged by Cossacks.”
Elena Klimova was 25 when the film was made. She doesn’t look much older than a teenager herself, which is remarkable considering the stress she must have been under for years. She reveals that she and her partner lost their jobs because of their orientation. They were both told to resign. Almost all the same-sex couples she knows want to leave Russia, but she does not want to go. She looks forward to a future when the present-day situation will be described as the “stone age,” and she hopes that it won’t take decades to arrive.
Klimova has been taken to court twice over the web site, in the most recent case, she was fined 50,000 rubles, approximately $740 U.S. An online notice from Amnesty International, dated March 18, 2015, says the the “Prosecutor’s Office in one of St Petersburg’s districts had submitted a request to have the Children 404 group. . .closed down.” Readers are urged to support Klimova by writing to Russian officials in protest.
Forty-five members of Error 404 participated in the filmmaking, with some sharing footage shot on their cellphones. But an articulate young man named Pasha receives the most screen time. When he visits his former school, the presence of a cameraman doesn’t stop students from yelling insults and throwing things at him. What do they do when they aren’t being recorded?
Pasha says that one of his teachers had said that gay people “should be burned and banished,” and that the school social worker and psychologist told him he was the one with a problem, because he couldn’t accept homophobes. “If you find love for them, they will find love for you,” they said. As if.
Rather than follow their surreal advice, Pasha’s solution is to move to Canada, home of his idol, Justin Bieber(!) He says “I am convinced that after seven years I will have a family, small kids and a house.” He also says that he plans to study journalism and possibly enter politics. He’s obviously a strong, smart and very determined guy, though I wonder if he has checked the price of Toronto real estate lately, or the sorry employment prospects for journalists in North America. All the same, I wish him the very best in his life here.
I have a suggestion, too. There’s a scene at a memorial to Lenin where Pasha sings a slightly fractured version of O, Canada. It sounds like he’s singing “We stand on guard for free.” Once he learns all the words, why not invite him to sing the anthem at some public event?
The web site Queer Russia says that vigilantes and policemen with machine guns tried to disrupt the premiere of Children 404 in Moscow last year. Police “checked the IDs of the audience, looking for minors and writing down passport data of some people.”
I’ve been asked to include this information: “Cinema Politica is presenting the Quebec premiere screening of CHILDREN 404 on Monday, March 23, 2015. Directors Askold Kurov and Pavel Loparev will be in attendance all the way from Russia for a Q&A after the screening! The event is co-presented with Radical Queer Semaine, Concordia Documentary Centre, Simone de Beauvoir Institute, and Queer Concordia. More information can be found about Children 404 here:
While I wasn’t asked to share this info, I am happy to tell you that Cinema Politica was instrumental in getting the film made. The CP web site says “Cinema Politica co-founders Svetla Turnin and Ezra Winton, along with CP Board Member and Concordia University Research Chair in Sexual Representation and in Documentary Thomas Waugh and his colleague Ryan Conrad, launched an Indiegogo campaign to raise essential funds for this project. We eventually surpassed our goal and were able to raise $11,575 U.S. towards the making of CHILDREN 404!” The film’s credits says that all the money usedto make it came from crowdfunding. You might notice that some names appear several times, too. CHILDREN 404
Directed by Askold Kurov and Pavel Loparev / Russia / 2014 / 70 ‘ / Russian / English subtitles
Monday, March 23, 2015, 7 p.m.
Concordia University, 1455 de Maisonneuve Blvd., W., Room H-110
Directors Askold Kurov and Pavel Loparev will be there. (I predict that the first question they’re asked will be “What can we do to help?”)
Suggested admission is $5 to $10.