RIDM 2015 Review: Polar Sea 360° is a virtual-reality voyage to the Arctic with a rich, detailed, online component, too

Screen grab from Polar Sea 360 web site. Clicking on it won't do anything!
Screen grab from Polar Sea 360 web site. Clicking on it won’t do anything!

Go to RIDM’s UXdoc Space at Cinémathèque Québécoise, put on the virtual reality headset, and you’ll find yourself immersed in the Arctic – except you won’t need big mitts and an extra warm coat.

You can look right, left, up, down or behind you; there’s always something to see. You might be in a helicopter, on a blue-sky, sunny day, hovering above ice, snow, glaciers and icebergs or somehow outside the ‘copter, looking into it at the pilots. You might be on the deck of a small boat, in the dining room of cruise ship, or riding through a small village on an all-terrain vehicle. On top of all that, you can see the aurora borealis shimmering in the night sky in its mysterious way.

For me, it was a fascinating experience and well worth the trip to the Cinémathèque, which is conveniently located mere steps from the Berri-UQAM metro. But that’s not all, there so much more!

Before and/or after experiencing the Arctic in this way, you can find a wealth of information, from many points of view, at the web site polarsea360.arte.tv  There is a video with several chapters, and a “magazine” with 10 episodes; some of these episodes also have short videos embedded in them, as well. During the main video, and many of the video segments, viewers can use the arrow keys on their computer to get a 360-degree view. (The project can be enjoyed on smartphones and tablets, too, but I used a desktop computer. If you have a virtual reality headset at home, you cam use that. too. The web site has links to three companies that sell them.)

Screen grab for the Polar Sea 360¡ web site shows Arctic ice bergs.
Screen grab for the Polar Sea 360 web site shows Arctic ice bergs.

Polar Sea 360° is an international project with participants from Canada, Argentina, Denmark, France, Germany, Greenland, Ireland, Norway, and Switzerland. They include Arctic residents, authors, amateur explorers, biologists, a Canadian Coast Guard officer, filmmakers, geographers, geologists, historians, photographers, a prof in international politics, sailors, sea captains, scientists, singers, and veterinarians.

Climate change, and the way it affects people, wildlife and the landscape, is a major topic of the videos and the texts. The trip offered by the French cruise ship Boréal would not have been possible in past decades, because the ice was thicker then. Increased access to the Arctic means more shipping, exploration for oil and minerals and the habitat destruction and pollution that can come with that.

We also learn about the DEW Line, the Franklin expedition, explorer Roald Amundsen, and Inuit history and culture, including the forced relocation of some Inuit to Resolute Bay to shore up Canada’s arctic sovereignty claims, the abuse at residential schools, the importance of narwhal and seal in the traditional Inuit diet, their hospitality customs, hunting methods, throat singing, traditional place names, historical routes, and the problems of the present day; Nunavut has highest suicide rate in Canada.

A graphic about Arctic sovereignty from Polar Sea 360. The international, interactive project combines information about ecology, geology, history, politics and more.
A graphic about Arctic sovereignty from Polar Sea 360. The international, interactive project combines information about ecology, geology, history, politics and more.

The waters being navigated in Polar Sea 360° are part of the famous, near mythical, Northwest Passage. Mention of it takes me back to Grade 6 history class. (You, too?) In those days, we didn’t learn much about the negative aspects of exploration and the imperialism that came with it. But we did learn about the Northwest Passage – for centuries, explorers dreamed of it and searched for it – a quicker way from Europe to the riches of Asia. The man (of course, it would be a man!) who found it would be rich, famous, admired, bring glory to his country, etc. It was a big deal then and it has become a big deal once again. Read more about the RIDM presentation of Polar Sea 360° here.

 

Polar Sea 360°

Country : Canada, Germany
Year : 2014
Language : English, French, German
Runtime : (up to you!)
Platform : Réalité Virtuelle / Virtual Reality (Samsung Gear Vr)
Website : http://polarsea360.arte.tv
Production : Irene Vandertop, Thomas Wallner, Stephanie Weimar
Artistic Direction : Thomas Wallner
Technical Direction : Scott Herman
Sound : Janine White
Contact
(Production)
Thomas Wallner, Deep Inc., thomas@deep-inc.com

Visit the UXdoc Space at Cinémathèque Québécoise, 335 de Maisonneuve Blvd E., from Nov. 12-22, 2015, from 11a.m. to 8p.m., to see Polar Sea 360° and other interactive presentations.
RIDM (Rencontres internationales du documentaire de Montréal) runs from Nov. 12-22, 2015. Visit the web site ridm.qc.ca for more information.

FNC 2015 Review: Eco thriller La Tierra Roja looks at the evils of big business in Argentina

Ana (Eugenia Ram’rez Miori, in the orange skirt) and Pierre (Geert Van Rampelberg, in the black T-shirt) take part in a march against the use of toxic chemicals and the oppression of workers, in the film La Tierra Roja. It's a co-production between Belgium and Argentina that's being shown as part of the Festival du nouveau cinema.
Ana (Eugenia Ram’rez Miori, in the orange skirt) and Pierre (Geert Van Rampelberg, in the black T-shirt) take part in a march against the use of toxic chemicals and the oppression of workers, in the film La Tierra Roja. It’s a co-production between Belgium and Argentina that’s being shown as part of the Festival du nouveau cinema.

La Tierra Roja is a Belgium-Argentina co-production, shot in Argentina’s Misiones province. It’s fiction, but based on fact. Viewers in Argentina probably see it as a “ripped from the headlines” type of film.

Pierre works for a multinational company that cuts down trees and runs a sawmill and paper plant in northeast Argentina. In his spare time, he coaches a rugby team, and carries on an affair with Ana, a school teacher, who also works a small local medical centre. Pierre finds himself in an awkward position after Ana alerts him to the fact that his company’s use of herbicides is causing cancer, miscarriages, birth defects, learning disabilities and other problems among the workers and their families. The fish hauled from the river have strange bumps on their heads.

The government supports the company with subsidies; the governor will not even meet with Dr. Balza, who has been documenting all the health problems in the area.

When Dr. Balza presents the results of his research at an information meeting for the locals, Pierre’s superiors do what such people usually do – they claim that the man is lying, the chemicals are safe, and hey, what about all these wonderful jobs they are providing? (Even if they are dangerous and dirty.) Where have we heard this before? One worker points out that the company is employing 1,000 but poisoning one million. (Is that the price of progress?) After the doctor is murdered, Pierre realizes that he must take a stand.

While the good-guy/bad-guy situation is presented in a black-and-white manner (and quite justifiably so) the environemnt is quite colourful. The earth is indeed red in La Tierra Roja, in sharp contrast to the lush green forest. Ana’s house is a bright pink, and a local bar is purple. She wears an orange dress when she rides her horse to school.

La Tierra Roja is fiction, but I have seen my share of documentaries exploring similar situations in many countries of the world. We used to have a Human Rights Film Festival here in Montreal; we don’t have one any longer, but the Cinema Politica film series at Concordia University exposes problems like this on a regular basis.

La Tierra Roja has a Facebook page at   www.facebook.com/LaTierraRojaFilm/  It seems that the film was shown to residents of El Soberbio in Misiones just a few days ago. Read more about the film and other ecological problems in Argentina on that page.

La Tierra Roja
Argentina, Belgium | 104 minutes | 2015
Original version in Spanish, with English subtitles
Directed by Diego Martínez Vignatti, with Geert Van Rampelberg, Eugenia Ramírez Miori, Jorge Aranda, Alexandros Potamianos

Friday, Oct. 16, 2015, 17:00
Program #237
Cineplex Odeon Quartier Latin, Salle 10, 350 Emery St. (Berri-UQAM metro)
Visit the FNC web site for more info about La Tierra Roja

The Festival du nouveau cinéma runs from Oct. 7- Oct. 18, 2015.