The Swedish film A Man Called Ove is one of the five entries competing for an Academy Award as Best Foreign Language Film. It’s also nominated for a Best Makeup and Hairstyling Oscar.
Ove is only 59, but he looks much older. That’s what crankiness will do to you! Ove is a stickler for rules; his main purpose in life seems to be upholding them. Even the possibility that a rule might soon be broken raises his ire.
Every morning, Ove Lindahl (Rolf Lassgård) does the “rounds” in his suburban neighbourhood, even though he is no longer the head of the residents’ association. Cars parked (or driven) where they shouldn’t be, errant bicycles, cigarette butts, tiny dogs piddling where they should not, these are just a few of the things that get his goat. Ove even takes his suicide rope back, to a Home-Depot type place, to complain that it was not “suitable for all uses.” The man has chutzpah!
Why suicide? Grief, boredom, or feeling useless and rejected? I choose “all of the above.” Ove’s wife Sonja died within the past year and he misses her very much. Every day he visits her grave to promise her that he will join her soon. He recently lost his longtime job with the railroad, too. (The dialogue in that scene should make human resources people everywhere cringe.) Arguing with the neighbours and store clerks is just not enough to keep a man going. But when decent, friendly Patrick (Tobias Almborg), his wife Parvaneh (Bahar Pars), and their two little girls move in next door, they do provide many new distractions.
A Man Called Ove is a crowd-pleasing tear jerker, with some jokes and pokes at smug, smirking bureaucrats. Some of those bureaucrats are just clueless, while others are truly evil.
Ove himself is not evil, he’s a sad, somewhat clumsy man, who has constructed a hard shell over his gooey centre. He’s a politically-correct crank – he does not hate gays, immigrants, or women, so he doesn’t have too far to go to redeem himself, as we know he eventually will. This is not one of those stories where a neo-Nazi sees the light and becomes a human-right lawyer. Too bad he’s so mean to retail clerks, though. As for his run-in with a clown. . . who really likes clowns, anyway?
The young adult Ove (Filip Berg) while socially inept in the extreme, wins the heart of school-teacher-to-be Sonja (Ida Engvoll). He is astounded by how many books she has when they move in together, but gamely sets to building more yet shelves when he realizes he did not make enough the first time. At first, we only see Sonja in relation to Ove, later we learn more about her life-changing goodness toward others. It might have been nice to see more of her, but the story IS A Man Called Ove, not a Woman Called Sonja.
When that same young adult Ove meets his neighbour Rune, it’s like finding another sort of love, as they run after the local rule-breakers with the joy of small children, or frolicking puppies.
Most people might guess the general direction the film will take and some might feel manipulated. While A Man Called Ove has its clichéd elements, I enjoyed it anyway, I’m not sorry I watched it; I don’t feel like I wasted my time. Be warned though: Reviews I read before seeing the film led me to expect a comedy about a cranky man. I was surprised by the many tragedies and injustices that were revealed in the flashbacks. While Ove’s life was not quite as bleak as that of the Biblical Job, he did suffer a lot, much more than I had expected, based on summaries and reviews I’d read before seeing the film.
Random info and musings: The film is based on Fredrik Backman’s popular novel; it’s been translated into many languages.
Rolf Lassgård has played the detective Wallander on TV. In real life, he doesn’t look much like the worn-out Ove at all. Hence the nomination for a Best Makeup and Hairstyling Oscar.
Ida Engvoll, who plays Sonja, is slightly toothy. If she were a Hollywood star, would someone have suggested that she “fix” those teeth? I wouldn’t be surprised.
Ove was so lucky to meet his wife, who accepted him as he was. Would an awkward woman be so lucky? I wonder. Don’t think I have see a film like that yet.
Ove’s estranged friend Rune reminded me of one of the guys from TV show Trailer Park Boys.
The blue in Ove’s workplace made me think of the blue of Montreal’s metro system.
The film opens in the plant department of a store that looks like the Home Depot on Beaubien St.
Feline trivia: According to web site imdb.com, the large fluffy cat in the film is portrayed by two Ragdolls, both from Poland. In an interview after a screening in Seattle, director Hannes Holm said one cat was sleepy while the other was quite aggressive. More than once, crew members brought the wrong cat onto the set, with painful consequences. Holm also said that a Hollywood film would probably opt for CGI cats, but Swedish filmmakers don’t have that kind of money. When told that the film Inside Llewyn Davis used six cats, he said he couldn’t have afforded so many. The entire production budget for A Man Called Ove was a mere $350,000! Quite amazing!
In Montreal, A Man Called Ove is playing at Cineplex Odeon Forum, Cinéma du Parc, and Cinéma Beaubien. One hour, 56 minutes long, In Swedish with English subtitles at Forum and Cinéma du Parc, French subtitles at Cinéma Beaubien.
A Man Called Ove, written and directed by Hannes Holm, with Rolf Lassgård, Filip Berg, Ida Engvoll, Bahar Pars, Tobias Almborg, Poyan Kamiri, Borje Lundberg, Stefan Gödicke