RIDM 2015: Music documentary Making a Monster comes highly recommended

Malcolm Brickhouse of the heavy metal band Unlocking The Truth, in a scene from the documentary film Breaking a Monster. It's one of several films about music being shown at RIDM, MOntreal's documentary film festival.

Malcolm Brickhouse of the heavy metal band Unlocking The Truth, in a scene from the documentary film Breaking a Monster. It’s one of several films about music being shown at RIDM, MOntreal’s documentary film festival.

I haven’t managed to watch Breaking a Monster yet, but it sounds really intriguing, so I’ll tell you about it by quoting the reviews of others.

The synopsis on the RIDM web site says: “In 2007, three African-American pre-teen metal heads became instant celebrities after posting videos of their street performances in Times Square. Their recently formed band, Unlocking the Truth, came to the attention of the Jonas Brothers’ manager, an ex-hippie with a nose for a hit who negotiated a lucrative recording contract for them. Surrounded by music-industry pros, the three friends had to learn in a hurry how to cope with stardom and protect their identity while making the most of the marketing strategies developed by white adults who “want what’s best for them.” A funny, incisive look at music marketing today.”

Rob Aldam of Backseat Mafia reviews Breaking a Monster from the Sheffield Documentary Film Festival: (Director Luke) “Meyer allows the three to do their own talking and they’re all charismatic, intelligent and engaging characters. . . Breaking A Monster is an extremely funny and perceptive insight into the inner working of the music industry, where absurdity and infuriation abound. There’s much to love here, not least the three stars who hopefully have a bright future ahead in the music industry.”

Doug Dillaman saw it at the Sydney Film Festival in Australia and reviewed Breaking a Monster for The Lumiere Reader. He says: “we are fully immersed into both the band’s home world and the music industry without on-screen text to identify people; just like the teens themselves, we struggle to keep up, and have to decide what’s invaluable industry expertise and what’s laugh-out-loud absurdity, whether the industry pros have their best interests at heart, and whether the teens might just be happier playing Angry Birds and skateboarding. Tastefully shot and expertly cut, it’s superlative not just as music documentary but as a documentary in general. If the film has a flaw, it’s that, by necessity, it ends before it feels over; the story is still to be written, but if Meyer can retain his access after this film goes wide, I’d happily take a sequel.” (Italics are mine. That’s great praise, I think!)
Lanre Bakare reviewed Breaking a Monster for The Guardian: “Meyer’s success comes from understanding that the interesting thing about a rock band made up of 12-year-olds is their unique approach to rock’n’roll situations we’ve all seen a thousand times. When in meetings about their contract they play Flappy Birds; when they get to a hotel room they have a pillow fight rather than chucking a TV out of a window; and if something isn’t going the way they want it to, they turn to their mums. It’s a charming and engaging mix. . .”

(There are other positive reviews out there, but I didn’t find them as quotable as the ones above.)

Breaking A Monster
Directed by Luke Meyer
Country : United States
Year : 2015
Language : English
Runtime : 93 min.
Production : Tom Davis, Thad Luckinbill, Trent Luckinbill, Molly Smith
Cinematography : Ethan Palmer, Hillary Spera
Editing : Brad Turner
Sound : Tom Paul
Contact :(Production) Tom Davis, Seethink Films, tom@seethink.com

Monday, Nov. 16, 2015, 5:30 p.m.
Cinéma Du Parc 1, 3575 Park

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