RIDM 2015: My suggestions for Sunday, Nov. 22, the last day of this year’s festival

A scene from the Mexican documentary Llevate mis amores (All of Me), one of many films being shown at RIDM, Montreal's documentary film festival.

A scene from the Mexican documentary Llevate mis amores (All of Me), one of many films being shown at RIDM, Montreal’s documentary film festival.

Before I go to bed tonight, I hope to write proper reviews of these films that I’m suggesting to you, but for now, I’ll just write a short description to get something online as soon as possible.

Click on the underlined name of a film to be taken to the synopsis on the RIDM web site.

Oncle Bernard – L’anti-Leçon d’économie
Words of wisdom from the late economist Bernard Maris. He was one of the people killed at the offices of Charlie Hebdo earlier this year.
Oncle Bernard – L’anti-leçon d’économie, Sunday, Nov. 22, 2015, 7 p.m., Excentris (Salle Cassavetes)

The next two films are on at the same time. What a shame, and what a quandary, because I think they’re both wonderful. I’ll go out on a limb and suggest Llévate mis amores (All of Me), directed by Arturo González Villaseñor, as a first choice because there is no guarantee that it will come back to Montreal again, though I truly hope that it does. This is a film about people in Mexico, mostly women, who do a lot to help others, even though they have very little themselves. Every day they prepare food and water for migrants who are making their way north to the U.S. by train. RIDM says it is “A wonderful human adventure,” but that’s really an understatement. It’s inspiring! Seriously.

This film was sold out on Saturday, so if you want to see it, consider buying your tickets online to avoid disappointment. I almost missed it myself.  I thought that Saturday’s screening was the second, and last one. I am so glad that it isn’t, so that I can suggest it to you. Director Arturo González Villaseñor will be at the screening to answer questions after the film.

Llévate mis amores (All of Me), Sunday, Nov. 22, 2015, 9:15 p.m., Excentris (Salle Cassavetes)
Another film that starts at 9:15 p.m. is Le Bouton de nacre (El botón de nácar in Spanish, The Pearl Button in English), directed by Patricio Guzmán. It’s quite wonderful too, but given Guzman’s fame, it is more likely to return to Montreal screens. (Guzmán directed Nostalgia For The Light, one of my very favourite documentaries, along with Salvador Allende, The Pinochet Case, The Battle of Chile, and others.)

Le Bouton de nacre is about water, the universe, Chile’s native peoples and the disappeared of the Pinochet years. It is full of beautiful images and sounds and also contains tales of incredible horror. Some of those tales are quite recent, while others are much older.
Le Bouton de nacre, Sunday, Nov. 22, 2015, 9:15 p.m., Cinéma du Parc 2

I have seen the three films above, and recommend them wholeheartedly.

In Police Academie (Cop Class) director Mélissa Beaudet follows “three very different cadets during their final year of training.” It sounds interesting, and it has received good reviews, but it starts at 9 p.m., which puts it in conflict with Llévate mis amores (All of Me) and Le Bouton de nacre (El botón de nácar). Police Academie will be shown at Excentris starting on Nov. 27, and it will be on TV (ICI RDI) on Jan. 16, 2016.
Police Academie (Cop Class), Sunday, Nov. 22, 2015, 9 p.m., Cinéma Du Parc 1
RIDM (Rencontres internationales du documentaire de Montréal) runs from Nov. 12-22, 2015. Visit the web site ridm.qc.ca for more information.

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