In the U.S. film Tilt we watch a man slowly coming unhinged. Joseph Burns (played by Joseph Cross) is a documentary filmmaker, though he has only completed one film so far. His second film will be about the the Golden Age of America, or rather, the myth of it. It was never really more than fairy tale, or propaganda in the first place, right?
His film is a very low-budget, independent project that he’s making in a shed in his backyard, using clips from newsreels and educational shorts from an earlier era, when average citizens were more innocent, or gullible. Among those films is the (in)famous Duck and Cover. Imagine telling school children to hide under their desks if an atomic bomb is dropped on their school. Joe has been watching that stuff for awhile and maybe it’s taking a toll. He empties many cans and bottles while working, too. I don’t think they are soft drinks.
He’s also been watching TV, where the 2016 presidential campaign is underway, so we can cringe along with Joe (well, I cringed) when Donald Trump, still just an inexplicable candidate, talks about losers, etc. Joe’s wife, Joanne, asks why watch if Trump annoys him so much? (A person could write an essay, or entire book about that, I think!)
Joanne (Alexia Rasmussen) is a nurse who will soon be applying to medical school. She is the voice of sanity and reason in their home. Possibly also the voice of conformity, convention and authority. When she semi-sarcastically says “Not everyone is as smart as you,” he gives her a look cold enough to stop your heart. Then he hits her in the face with the cork while opening a wine bottle. He apologizes profusely for this “accident,” but it’s a disturbing moment.
Joanne is pregnant and Joe does not seem ready for fatherhood at all, though he never says it in so many words. Joanne berates him because he’s not super enthusiastic about the baby’s sonogram photo, the way that her friends are.
Joe can’t sleep at night so he takes long walks around his dark, largely empty Los Angeles neighbourhood. (In a city where they say “no one walks” Joe has given up the expense of a car and a smartphone for the sake of his film.) There’s a definite feeling of danger, tension and unease during these scenes. Each time he went out, I was expecting something bad to happen to Joe. On the other hand, he looks kinda scary himself, with his face half hidden under a dark hoodie. He looks scarier still when paints his face with black stripes before heading out to observe Halloween/ Dia de Los Muertos festivities.
About those names, Joseph and Joanne, both abbreviated to have the same sound: Jo(e). In real life that could be an amusing coincidence. But in a script? The same name might imply too much togetherness or a loss of identity, I don’t know. But when he tells his wife things like “I don’t know if I’m safe, Jo,” he could just as well be talking out loud to himself. And that sentence could be taken two ways. While the more obvious interpretation is that Joe might be in danger, it could mean that Joe himself is dangerous.
Tilt prompts one to wonder, could trying circumstances totally change a person, or do they allow parts that were hidden and controlled to finally break free?
I give Tilt full marks for mood and cinematography. I will gladly watch another film from Kasra Farahani. My only small complaint is, it seemed a bit long. Perhaps it would be stronger still if trimmed by a few minutes.
Directed by: Kasra Farahani
Written by: Kasra Farahani, Jason O’Leary
Cast: Joseph Cross, Alexia Rasmussen, Jessy Hodges, Kelvin Yu, Jade Sealey, C.S. Lee, Billy Khoury
Company: Bad Guy Good Guy
100 minutes long, in English
Seen at the Fantasia International Film Festival in Montreal, Canada, July 14, 2017