RIDM 2018 Preview: Oyster Factory

Kazuhiro Soda’s documentary Oyster Factory was shown at Montreal’s Festival du nouveau cinéma in 2015. If you missed it then you have another chance to see it now, at the documentary festival RIDM. Kazuhiro Soda who is here for a retrospective of his films will introduce Oyster Factory and answer questions abut it after the screening.

I did not see Oyster Factory at FNC, so I will quote some reviews below. I DID see Soda’s Campaign 1 and Campaign 2 at RIDM, so I can attest to his filmmaking and editing skills and his ability to get along with most people. (There WERE a few cranky people in the Campaign films.) The Campaign films were long but not boring; I did not see anyone leave the cinema. So don’t be frightened by Oyster Factory’s 145 minute running time.

Now, here are those review excerpts: Clarence Tsui of the Hollywood Reporter wrote:
“Oyster Factory. . .bears testament to the filmmaker’s skills in wringing out big issues from the “little people.” Edited out of 90 hours of footage shot over three weeks in one seaside community in southwestern Japan, the film slowly and successfully teases out the country’s clammed-up anxiety about a new, globalized economy through the struggle of workers in mom-and-pop shellfish process businesses.

“Engaging as always with his settings and subjects, Soda demonstrates an instinct in capturing fears and doubts when they come to the fore, while also carefully putting these emotional implosions in context. . .

“Combining a pervasive sense of grit and offering odd moments of grace – the town is part of what is dubbed “Japan’s Aegean Sea” after all – Oyster Factory slowly cracks its settings of provincial serenity open and leaves the viewer to reflect on the future.”

Director Kazuhiro Soda likes cats and they appear in many of his films.

On PardoLive, a section of the Locarno Film Festival’s web site, Aurélie Godet wrote: “Who would have thought that fishing and shucking oysters could be so engaging to a film audience? It is, though. And for many reasons beyond the mollusk itself. Sôda’s new observational documentary depicts the world of small oyster factories in Japan’s southern province of Okayama. . .

“Viewers familiar with Sôda’s previous documentaries (Mental, the Campaign and Theatre diptychs) will recognize the filmmaker’s talent for recording people’s unconscious behaviors and welcoming unpredictability. An open attitude rewarded again by a surge of strange or comical events.

“Films may not change the world, but Kazuhiro Sôda’s films can certainly show us how to look and truly see our changing world.”

In the Japan Times, Mark Schilling explained that the film “about oyster harvesting in the port of Ushimado on the picturesque Seto Inland Sea was shot in only three weeks, minus the usual sort of advance work to smooth the way. This is not laziness but rather Soda’s standard way of staying fresher to new situations than filmmakers who arrive on location with all their expert interviews neatly scheduled.”

Schilling further stated: “As a film, Oyster Factory may not be slick, but it is warm, insightful and human.”

OYSTER FACTORY
Director: Kazuhiro Soda
Producer: Kiyoko Kashiwagi
Cinematographer: Kazuhiro Soda
Editor: Kazuhiro Soda
International Sales: Laboratory X
In Japanese, with English subtitles
145 minutes long

Wednesday, Nov. 14, 2018 4:30 p.m.
Cinéma du Parc – Salle 3
3575 Park Ave, Montreal, QC
H2X 3P9

Visit the RIDM web site for more information about the documentary festival.

 

RIDM 2018 Preview: Bisbee ’17 is a dark tale from a violent past

 

Striking miners in Bisbee, Arizona are loaded onto boxcars in this photo from 1917.

UPDATE: I have seen the film and I recommend it.

Men with guns, shouting crowds, inflamed rhetoric about immigrants, demand for their deportation – that sounds like the daily newscasts, right?

It also describes the trailer for the documentary film Bisbee ’17. You can see that trailer below. Montrealers can watch the entire film on Monday, Nov. 12 or Friday Nov. 16, 2018 as part of documentary film festival RIDM (Rencontres internationales du documentaire de Montréal).

The film is described as follows on the RIDM web site:

“In July 2017, the town of Bisbee, Arizona marked a sad centennial: in 1917, the town was the site of the violent deportation of more than 1,000 striking copper miners, who were abandoned in the desert by an armed posse hired by the mining company and led by the sheriff.

As a way to reflect on the causes and horrific consequences of the tragedy, (director) Robert Greene did more than interview Bisbee residents or record the western shows in nearby Tombstone. Instead, he enlisted the residents to perform a re-enactment of the deportation. Between the performance and past and present testimonials, Bisbee’17 is an unforgettable film that cuts straight to America’s dark heart, the better to examine the present and envision the future.”

Bisbee ’17 has rave reviews on the web site Metacritic, with scores ranging from 75 right up to 100.

Robert Greene’s previous films are: Owning the Weather (2009); Kati with an I (2010); Fake It So Real (2011); Actress (2014); Kate Plays Christine (2016)

Bisbee ’17
Seance 76
Monday, Nov. 12, at 7 p.m.
Université Concordia – Auditorium Des Diplômés de la Sgwu (H-110)
1455 de Maisonneuve W., Montréal, QC H3G 1M8
Screening presented with English subtitles
Robert Greene (filmmaker), Fernando Serrano (protagonist) and Bennett Elliott (producer) will be there to take part in a Q&A after the film. Presented in collaboration with Cinema Politica.

Bisbee ’17
Seance 143
Friday, Nov. 16, 9 at p.m.
Musée des Beaux-Arts de Montréal – Cinéma du Musée
1380 Sherbrooke St. W, Montreal, QC H3G 1J5
Screening presented with English subtitles

See the RIDM web site for ticket information. Come really early or buy a ticket online of you want to be SURE to get in.

 

<p><a href=”https://vimeo.com/271563668″>BISBEE &lsquo;17 (Theatrical Trailer)</a> from <a href=”https://vimeo.com/prewarcinema”>prewarcinema</a&gt; on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

French-language film fest Cinémania starts today, November 1

Juliette Binoche and Guillaume Canet in Doubles Vies (Non-Fiction).

Montreal’s French-language film festival Cinémania runs from Wednesday, November 1 until Sunday, November 11.

The opening night film is Doubles Vies, directed by Olivier Assayas. Stars include Juliette Binoche, Guillaume Canet and Vincent Macaigne. The films characters are involved in the book publishing industry in France.

The film has English subtitles; its English language title is Non-Fiction.

Opening night tickets are $25, but the film will also be shown again on Saturday, Nov. 3, 2018 at 11:15 a.m. Tickets cost $9 for people 30 and under; $12.75 (people 65 and older). General admission is $13.50
Both screenings will be at Cinéma Imperial, 1430 Bleury.

The Cinémania lineup includes films from France, Belgium, and a Quebec-Belgium co-production.

In a fun twist, the French film Le Grand Bain (Sink or Swim) will have one of its two screenings at the swimming pool of the MAA Sports Centre, 2070 Peel St. Le Grand Bain is about a bunch of guys who form a synchronized swimming team. Some have compared it to the British film The Full Monty.

I’ll have more to come about Cinémania.
Meanwhile, check out the Cinémania Film Festival web site.

FNC 2018 Review: Fans celebrate the Tour de France in Holy Tour

Tour de France fans enjoy themselves while wait for cyclists to appear in the documentary film Holy Tour (La Grande Messe).

The documentary film Holy Tour (La Grande Messe) is a gentle and amusing visit with some Tour de France fans who are waiting for the cyclists in the 2017 edition of the race to flash by. They set up a roadside camp almost two weeks before at Col d’Izoard (Izoard Pass) in the French Alps, where the scenery is stunning.

Most of the fans are long-married couples who have been following the tour for years, some for decades. They seem old enough to be retired, but then again, France has very generous vacations, so who knows? These fans are comfortably ensconced in recreational vehicles, not roughing it in tents, as the last-minute arrivals will do. (“They look like us, back in the day,” a man tells his wife with a smile. That’s an approximate quote, from my memory.)

The fans are a relaxed, friendly, funny bunch and they pass the days before the Tour arrives with walks, sunbathing, playing cards, reading, chatting, cuddling small dogs, and eating. One man cycles uphill to a scenic restaurant to have a birthday meal. We laugh with them, not at them, as they wonder if it is too early for an aperitif, and struggle to pick up a TV signal, so they can follow the race as it heads their way.

Certainly, there are worse ways a person could spend a vacation. When Holy Tour is over, you might feel light-hearted and relaxed, as if you, too, had just enjoyed some fresh air and camaraderie.

Holy Tour (La Grande Messe)
Year: 2018
From: Belgium/France
Directed by: Méryl Fortunat-Rossi and Valéry Rosier
Length: 70 minutes
Languages: In French with English subtitles

You can see it: Saturday October 13, 2018 at 13:15
Program #260
Cineplex Odeon Quartier Salle 17
350 rue Emery, Montréal, QC, H2X 1J1

Holy Tour (La Grande Messe) is part of the Festival du nouveau cinéma, which continues until Sunday, Oct.14, 2018.

FNC 2018: Bravo! Festival du nouveau cinéma will show Alfonso Cuaron’s new film Roma!

A still from Alfonso Cuaron’s new film Roma.

The Festival du nouveau cinéma has nabbed Alfonso Cuaron’s new film Roma. Roma won the Golden Lion at the Venice Film Festival and was also shown to great acclaim at the Telluride Film Festival and Toronto International Film Festival.

According to an email from FNC “the film follows Cleo (Yalitza Aparicio), a young domestic worker for a family in the middle-class neighborhood of Roma in Mexico City. Delivering an artful love letter to the women who raised him, Cuarón draws on his own childhood to create a vivid and emotional portrait of domestic strife and social hierarchy amidst political turmoil of the 1970s.”

Roma will be shown on Sunday, Oct. 14, 2018, at 6 p.m. at the Imperial Cinema, 1430 Bleury, Montréal, QC H3A 2J1

Roma will be available in theatres and on Netflix in December. But why not see it this month? And of course, a theatre would be the best place to see it.

FNC 2018 Suggestion: See hilarious Iranian comedy Pig (Khook) tonight, Tuesday Oct. 9, 2018

Hasan Majuni plays film director Hasan Kasmai in the Iranian comedy Pig (Khook).

Black comedy, dark comedy, parody, spoof, all those words are suitable to describe the Iranian film Pig (Khook).

I don’t know how a script that includes murders, adultery and dancing was approved by Iranian censors, but it was, and I enjoyed it a lot. Check it out for laugh and surprises!
Acclaimed actress Leila Hatami gets to show her lighter side. You can read my review here.

Leila Hatami plays actress Shiva Mohajer in the Iranian comedy Pig (Khook.) In this scene, her costume makes me think of a pinata.

Pig (Khook)
Directed and written by Mani Haghighi
Cast: Hasan Majuni; Leila Hatami; Leili Rashidi; Parinaz Izadyar; Mina Jafarzadeh; Aynaz Azarhoosh; Ali Bagheri; Siamak Ansari; Ali Mosaffa
Language: Farsi with English subtitles
Length: 107 minutes

You can see Pig on Tuesday, Oct 9, 2018, at 9:30 p.m. at Cinémathèque Québécoise (355 de Maisonneuve E.) as part of the Festival du nouveau cinéma.

FNC 2018: Review of Iranian comedy Pig (Khook)

In the Iranian film Pig (Khook) a blacklisted director cannot make films, but he CAN make really weird commercials for insecticide.

Pig (Khook) is so funny that it might be a big surprise for people who expect Iranian films to be serious, sad, or downright tragic. Added bonus: Leila Hatami, who has been in many sad and serious films gets to have some fun in it, too.

Pig is written and directed by Mani Haghighi. It’s about blacklisted filmmaker Hasan Kasmai (Hassan Majuni), who has not been allowed to make films for the past two years. Luckily for him, his family and for us, he IS allowed to make TV commercials.

His hilarious ad for bug-killer spray features dancing women in red who look much nicer than your average insect pests. (Oh, wait! They are not dancing, they are “moving in unison.” Dancing is not allowed, in real life or in commercials. Censorship, you know.)

Later, Hasan and his tennis-partner friend Homayoun (Siamak Ansari) borrow the insect costumes, antennae and all, to wear to a decadent costume party. (Somehow they remind me of Spanish dandies from the Middle Ages in those costumes…apart from the antennae, of course.)

(When he’s not attending costume parties or funerals, Hasan usually wears T-shirts promoting Western rock bands like AC/DC, Black Sabbath, Kiss, etc. At least one reviewer took that as a sign that Hasan is still a child at heart. Maybe he is, but maybe he also likes those bands and those clothes. Theoretically, they could even be a political statement.)

Hasan Majuni, left, plays director Hasan Kasmai, while Ali Mosaffa plays his hated rival, Sohrab Saidi, in the Iranian comedy Pig (Khook).

Hasan was already upset that he could not make films, but now he has new worries. His muse and mistress Shiva Mohajer (Leila Hatami), who became a star through his films, is considering a part in a film by one of his rivals, the highly pretentious and unlikable Sohrab Saidi (Ali Mosaffa).

Leila Hatami plays Shiva Mohajer, muse to director Hasan Kasmai. Hasan is jealous when she considers a role with rival director Sohrab Saidi.

In a more serious vein, a serial killer is targeting Iranian filmmakers, and leaving their severed heads in public places in Tehran, with the word “pig” carved into their foreheads. Hasan is terrified that he might be the next victim, but he’s also hurt and offended because the killer must think that he’s not important enough to murder. (Pig’s director Mani Haghighi includes himself as one of the murder victims. Hasan has to identify him.)

Things get more complicated when a video of Hasan throwing a public tantrum “goes viral.” Threats uttered in the heat of the moment against two of the murder victims make him suspect No. 1 and he’s arrested by Azemat (Ali Bagheri) the sinister, high-level, pony-tailed policeman who’s been following him around.

I enjoyed Pig immensely, though I thought a few script decisions went too far. Within the first few minutes I was wondering “Censorship? What censorship?” Amazingly enough the script was approved by the Iranian authorities, despite the dancing, the mistress and many other things.

Pig (Khook)
Directed and written by Mani Haghighi
Cast: Hasan Majuni; Leila Hatami; Leili Rashidi; Parinaz Izadyar; Mina Jafarzadeh; Aynaz Azarhoosh; Ali Bagheri; Siamak Ansari; Ali Mosaffa
Language: Farsi with English subtitles
Length: 107 minutes

You can see Pig on Tuesday, Oct 9, 2018, at 9:30 p.m. at Cinémathèque Québécoise (355 de Maisonneuve E.) as part of the Festival du nouveau cinéma.

 

Montreal World Film Festival will show Chinese hit Dying to Survive

The Chinese film Dying to Survive (Wo Bushi Yao Shen) has been compared to the U.S. film Dallas Buyers Club, though the Chinese patients need drugs to treat cancer, not AIDS.

The comedy-drama is loosely based on the real-life experiences of leukemia patient Lu Yong. Gleevec, the Swiss-made drug that he needed was incredibly expensive so he illegally imported a generic version from India. He was eventually arrested for selling the drug to other leukemia patients, but they rallied to his support and he was eventually released.

Lu Yong is played by popular star Xu Zheng (Lost in Thailand, No Man’s Land, Breakup Buddies, Lost in Hong Kong).

Dying to Survive is directed by Muye Wen. It’s in Mandarin with English subtitles and 116 minutes long.

It will be shown at the Imperial Cinema, 1430 Bleury (H3A 2J1) at 16:30 on Saturday, Sept 1, 2018 and at 19:00 on Sunday, Sept 2.

For more info about the Montreal World Film Festival/Festival des fins du monde, visit ffm-montreal.org

Fantasia 2018: In Big Brother, Donnie Yen plays the teacher we wish we had in high school

Donnie Yen plays teacher Henry Chen Xia in the film Big Brother.

Dedicated teacher tries to get rebellious high-school students to smarten up and take school seriously. This is a familiar plot, but the teacher in Big Brother is played by martial-arts superstar Donnie Yen, so that’s a big plus.

Even though Yen’s character, first-time teacher Henry Chen Xia, is smart, funny and caring, we know he won’t be accepted right away, he has to win the students over. Watching him do it is part of the fun.

Each student has at least one problem on the home front that has contributed to their seeming indifference to school; Chen tries his best to solve all those problems.

The future of the entire school is in Chen’s hands, since the Hong Kong education department will close it if the dismal pass rate doesn’t improve. On top of that, gangsters are waiting to pounce on the school site so they can build luxury condos on it.

But, but. . .what about the fights? It wouldn’t be a Donnie Yen film without them, but by Yen’s own choice, Big Brother is more about education than anything. It isn’t wall-to-wall fighting that’s barely held together with a paper-thin plot.

Donnie Yen as Henry Chen Xia, ready to defend his school.

 

Chen’s search for a missing student leads him to a locker room just before a (crooked) mixed-martial arts tournament. This gives Yen a chance to mix it up with burly, scary looking guys played by Kang Yu, Lockhart Ogilvie, Jess Liaudin, Brahim Achabbakhe, Tom Caserto, and Semiquaver Iafeta. “Look, guys, I’m not looking for any trouble,” he tells them in English. Ha, ha! Fans know what to expect next!

Conveniently enough, Kang Yu’s character is also involved in the development scheme, so he and assorted minions will battle Chen again in the schoolyard and inside the school, shattering glass, throwing desks and breaking many things while they’re at it.

A long-ago fight, with Lin Quinan playing the young Henry Chen, is quite impressive, too. This young man has star potential! In fact, he was in a 2016 film called Long quan xiao zi (Kungfu Boys).

in Donnie Yen’s film Big Brother, Lin Quinan (left) plays Henry Chen Xia in his student days. Kang Yu (right) plays the main villain. 

From my description, the film might seem terribly corny but it did not feel that way while I was watching it. There are some “I see what you did there!” moments, and I was fine with them, too.

I appreciated that Yen’s character is not just a fighting machine, he’s a caring human being. Teacher Chen has had his share of problems, and seen many horrific things, but he survived to tell the tale. He doesn’t want his students to give up on themselves while they’re still in their teens. And if life is unfair, why not fight to make it better? Just as important, he doesn’t want the education authorities to give up on the “difficult” students, either. Does closing an underperforming school really solve anything? Why not work to improve them?

Donnie Yen put his money and his star power behind this film, which is obviously dear to his heart. If Big Brother encourages some students to stay in school and leads school administrators to rethink their methods, Yen will have accomplished a lot. And more power to him!

I’ll include other details about Big Brother in a post about Kam Ka-Wai, the film’s director. Kam participated in a Q&A session after the film and granted me an interview as well.

BTW: I saw the World Premiere of Big Brother with lots of Donnie Yen fans at a sold-out screening at the Fantasia International Film Festival in Montreal – the very best of circumstances! Donnie Yen even sent us a video greeting! He wanted to present the film in Montreal himself but logistics didn’t allow it. (He’s shooting a film in Japan and cannot be away from the set for long.)

Big Brother will open In Hong Kong, Malaysia and Singapore on August 16, 2018, and in China and Taiwan on August 24. No word about a North American or European release yet, so maybe Donnie Yen fans should get going on social media and ask for it.

BIG BROTHER
Hong Kong, China (2018)
101 minutes, In Cantonese with English and Chinese Subtitles
Director: Kam Ka-Wai
Writer: Chan Tai Lee
Cast: Donnie Yen, Joe Chen, Yu Kang, Lou Mingji
Contact: Mega Vision